Originally founded in St. Louis amidst performances presented by ANNONYArts, director Ashley McQueen relocated Smashworks to New York City in 2015. After three years of company development, McQueen joined forces with friend Ana Lejava to launch Smashworks Advocacy, an initiative dedicated to the integration of human rights activism and performance.
LAURIE DÉZIEL was born in Shawinigan, Canada. She trained at L’École de danse contemporaine de Montréal, The School of Toronto Dance Theatre and was a scholarship graduate of The Martha Graham School of Contemporary Dance where she worked alongside Graham II. She performed in Heretic at The Martha Graham Company’s 90th Anniversary Season at the New York City Center. Laurie was a choreographer and soloist for the Balasole Dance Company’s season MIXTUS presented at the Ailey CitiGroup Theatre. She works as a freelance dancer, actor and model for various project companies in the city. She is excited to embark on her 3rd season with Smashworks Dance as a proud performing artist and human rights advocate.
Sarah Dodd hails from Syracuse, NY and recently graduated from the University at Buffalo where she earned a BFA in Dance. In her training, Sarah has attended Bates Dance Festival and performed works by Hilary Easton, Shen Wei Dance Arts, Robert Battle, Jennifer Archibald, and Koresh Dance Company. Sarah also presented choreography at the SUNY Undergraduate Research Conference and represented the school at the ACDA Northeastern Conference. Since her move to the city, Sarah has performed and continued to work with Smashworks Dance Collective and Now Dance Project.
Manon Hallay was born in France. She started dancing in the Conservatoire de Tarbes and went to Bordeaux at 13 to study in a pre-professional course. Two years later she has been accepted to the Royal Ballet School of Antwerpen and had the opportunity to work with choreographer as Sidi Larbi Cherkaoui or Micheal Shannon. She moved out to New-York 5 years ago to integrate the Alvin Ailey school as a scholarship student. She is now dancing for several dance company including Amanda Selwyn Dance Theater, Smashworks Dance, and Les Ballets Nomades.
Louisa received her formal dance training in her home state of New Hampshire and is a graduate of the Certificate Program at Peridance Capezio Center, New York, NY. During her time in the program, she was selected to perform works by Igal Perry, Loni Landon, Ronald. K. Brown, Charlotta Ofverholm, Oniin Dance Company, and Caterina Rago. After completing the program, Louisa was part of the inaugural group at the Barton Movement's Axis Connect, where she performed an original work by Cindy Salgado. She has also performed professionally in New York with such choreographers as Yvonne Rainer for the Museum of Modern Art's Judson Dance Theater: The Work is Never Done exhibition, Diego Funes, Pat Catterson, Pramila Vasudevan, Michelle Thompson-Ulerich, Emily Bufferd, Jacqueline Dugal, Monica Hogan, Yuki Hasagawa, and Joyce King. Most recently, Louisa premiered her own work, Strange Girl Dances: A Visual Duet with Melissa Stern, as part of a seven-episode collaboration with visual artist, Melissa Stern, at Garvey|Simon Gallery, New York, NY. Currently, she is collaborating on projects with Cleo Mack/The Rock Dance Collective and developing a new multi-media installation work with visual artist, Danielle Riede. Louisa is also the rehearsal director for De Funes Dance. In addition to performing, Louisa holds her B.A. in English Literature and Art History from New York University and is a coach at Row House, Columbus Circle. She is interested in finding the intersections between different mediums and modes of communication in all of her work.
Sarah Starkweather is a dancer and fitness professional living in New York City. Since 2009, Sarah has performed over 100 times with professional dance companies from Texas, Missouri, and New York. Sarah has worked with choreographers such as Jennifer Archibald, Amanda Selwyn, Liz Imperio, Ashle Dawson, Mitzi Adams, Ashley L. Tate, Jennifer Medina, and Ashley McQueen. Sarah holds a BA in Psychology from The University of Texas at San Antonio during which time she also began her classical training with Catalina Garza, Ernesto Quenedit and Esther Mayer of The Cuban National and Royal Ballet, respectively. Sarah is a founding member of the San Antonio Dance Fringe, and continues to teach technical and leadership workshops across the United States through MA Dance, for whom she also adjudicates regional and national dance competitions. Sarah has been a certified fitness trainer since 2014 and currently teaches group fitness classes for Equinox.
Madeleine is originally from Austin, Texas. She first moved to New York to pursue her dance training at SUNY Purchase College in 2014. Madeleine graduated Summa Cum Laude from The Conservatory of Dance at Purchase College with a BFA in Dance Performance and a minor in Arts Management. During her time in college she had the pleasure of performing works by Larry Keigwin, Kevin Wynn, Merce Cunningham, Sue Bernhard and Keerati Junakunwiphat. Since moving to the city, she has had the honor to perform professionally with Smashworks Dance, LaneCoArts, Drye/Marinaro Dance Company Buglisi Dance Theatre, and Patmon Dance Project amongst others. Madeleine is thrilled to begin her first season dancing with Smashworks Dance!
Hope Salas is a New York City based actress, writer, producer, educator and teaching artist. Her credits include Hamlet at The Public Theatre with Andre Serban, The Caucasian Chalk Circle at the Bertolt Brecht Theatre (Germany) with Niki & Ula Woltz, Inside Out at Lincoln Center Institute with Liz Swados, Festival Of Screen Writers at Nyorican Poets Café with Anne Bogart, The Trojan Women at En Garde Arts with Tina Landau, Henry IV (parts 1 & 2) Colorado Shakespeare Festival with Michael Addison, Tired by Chiori Miyagawa at Soho Repertory, Awakenings by Miyagawa at PS 122; Woman Killer by Miyagawa at HERE with Sonoko Kawahara, Cause for Alarm at St. Marks Theatre with Ken Rus Schmoll. Her resume also includes recurring roles on daytime TV dramas Another World and Guiding Light. She has taught theater classes in the US, Spain, South Africa, Uganda and Rwanda. While teaching in South Africa, Hope initiated a puppet program for orphaned children living at The Red Cross Children’s Hospital founded by Desmond Tutu, the only orphanage in sub-Sahara Africa. Hope received her MFA in Acting from Columbia University ; received her MS. Ed in Museum Education Early Childhood Education from Bank Street Graduate School of Education and received a certificate in puppetry arts from the University of Connecticut.
Director of Smashworks Advocacy
Born and raised in Tbilisi, Georgia Ana Lejava is a New York City-based dancer, choreographer, teaching artist and social entrepreneur. She received classical ballet training at the Tbilisi V. Chabukiani State Ballet Art School and the Kirov Academy of Ballet under the mentorship of Oleg Vinogradov and Marat Daukayev. She was a member of Atlantic City Ballet, and has guest performed for the Brighton Ballet Theater, Staten Island Ballet, Alabama Youth Ballet Company, and Georgian National Dance Company. Ana has been teaching and choreographing for the School of Russian American Ballet in Brooklyn, Staten Island, and Manhattan for the past four years.
Ana has a bachelor's degree in Dance and Political Science from the Birmingham-Southern College and has received BSC’s Fine Arts Society Award for Excellence in Dance. She has graduated college with Magna Cum Laude, political science and leadership studies honors. Along with her dancing career, Ana has worked for the intergovernmental and human rights organizations, including the United Nations on the human rights, cultural and social issues. She served as a Young Ambassador of Georgia to the United States for the 2016 and 2017 years, working closely with the members of the Georgian diaspora, promoting cultural exchange amongst the youth. She is happy to be leading Smashworks Dance’s Community Action efforts.
Kiva Carman-Frank, Advocacy Intern
Kiva Carman-Frank is a student, organizer, and dancer from Milwaukee, WI. She is a freshman at Marymount Manhattan College, currently double-majoring in Dance Studies and International Studies. Kiva began dancing at age 13, and graduated from the pre-professional Academy of the Milwaukee Ballet School in May, 2018. She spent summers training in Balanchine technique at The Jillana School, and Vaganova technique at the Bolshoi Ballet Academy in Moscow, on a scholarship funded by the U.S. Department of State’s National Security Language Initiative for Youth (NSLI-Y). She has performed with the Milwaukee Ballet Company, The Milwaukee Ballet School & Academy, and the nonprofit organization The Lake Arts Project, including as a leading artist of the project’s 2018 New York summer residency program. At Marymount Manhattan College, she has studied O’Donnell modern dance technique under the direction of Nancy Lushington, and Nikolais modern dance technique under the direction of Alberto de Saz.
Kiva has been organizing with the American Civil Liberties Union (ACLU) since she was 16, collaborating with and defending the rights of people in her community, specifically immigrants and asylees, black and BIPOC folks, people facing incarceration, and her LGBTQ+ family. Most recently she worked with the ACLU of Wisconsin to promote Smart Justice, a decarceration campaign, to students and teachers in the public school system. She is a Kohl scholar, a finalist for the Watson Fellowship, and the NSLI-Y Alumni Representative for the NYC/Northeast region. She speaks advanced Spanish and intermediate Russian, and is grateful to be able to work as a foreign-language nanny in New York City. When she’s not studying, working, or dancing, you can find Kiva protesting, organizing with other visionary young people, filing asylum applications with the New Sanctuary Coalition, and reading radical political thought.
Kiva believes the future will be shaped by collaboration between political leaders and passionate citizens, most importantly young people and artists, and she is committed to working toward this future in every aspect of her life. She is excited to expand this commitment into her dance practice, by shaping a performance agenda of women’s empowerment, imagining the possibilities of dance as an international social, cultural, and political force, and exploring the potential of somatic expression and liberation with Smashworks Dance.
Dunya Habash, Advocacy Associate
Dunya Habash completed an MSc in Refugee and Forced Migration Studies at the University of Oxford in 2017 and is currently working as a researcher at the Woolf Institute in Cambridge, UK. She also worked as a research assistant for Oxford Poverty and Human Development Initiative (OPHI), University of Oxford. She holds undergraduate degrees in Music and History from Birmingham-Southern College, where she embarked on her first substantive project with Syrian refugees, a documentary on Jordan's Zaatari refugee camp, 'Zaatari: Jordan's Newest City'. That work led her to the programme in Refugee Studies at Oxford and a TEDx talk in Birmingham, AL. Dunya is excited to join the Smashworks family as a senior consultant on refugee and migration issues, which combines her passion for art and advocacy in relation to pressing social issues.
Consultant on Refugee and Migration Issues works directly with the Smashworks Advocacy team and advises it on its Smashing Borders’ campaign strategy and programming. She is responsible for monitoring our advocacy efforts by providing research on issues relating to the human rights of refugees and migrants, including legal representation, detention, U.S. asylum law and policy, international refugee protection and resettlement policies, as well as academic research and polling data, describing trends in public opinion towards migrants and refugees.